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Research ArticleArticles

Songwriting: From Pop Music to Short Stories in Frode Grytten’s Popsongar

John Brumo
Scandinavian Studies, June 2020, 92 (1) 80-103; DOI: https://doi.org/10.3368/sca.92.1.0080
John Brumo
Norwegian University of Science and Technology
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Works Cited

    1. Branscomb, H. Eric
    . 1993. “Literacy and a Popular Medium: The Lyrics of Bruce Springsteen.” Journal of Popular Culture 27 (1): 29–42. doi:10.1111/j.0022-3840.1993.26321452549.x.
    OpenUrl
    1. Brown, Calvin S.
    1948. Music and Literature—A Comparison of the Arts. Athens: University of Georgia Press.
  1. ↵
    1. Christenson, Peter G., and
    2. Donald F. Roberts
    , 1998. It’s Not Only Rock & Roll: Popular Music in the Lives of Adolescents. Hampton Press Communication Series. Cresskill, NJ: Hampton Press.
    1. Fornäs, Johan
    . 2003. “The Words of Music.” Popular Music & Society 26 (1): 37–51. doi:10.1080/0300776032000076388.
    OpenUrl
  2. ↵
    1. Frith, Simon
    . 1983. Sound Effects: Youth, Leisure and the Politics of Rock. London: Constable.
  3. ↵
    1. Frith, Simon
    . 1996. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press.
  4. ↵
    1. Frith, Simon
    . 2007. Taking Popular Music Seriously: Selected Essays. Aldershot, UK: Ashgate.
  5. ↵
    1. Grytten, Frode
    . 2001. Popsongar. Oslo: Samlaget.
    1. Herman, Gary, and
    2. Ian Hoare
    . 1979. “The Struggle for a Song: A Reply to Leon Rosselson.” In Media, Politics and Culture: A Socialist View, edited by Carl Gardner, 51–60. Communications and Culture Series. London: Palgrave.
  6. ↵
    1. Hills, Matt
    . 2002. Fan Cultures. London: Taylor & Francis.
  7. ↵
    1. Kjærstad, Jan
    . 2007. Kjærstads matrise: Amlede essays med bonusspor, 2nd ed. Oslo: Aschehoug.
  8. ↵
    1. Leitch, Thomas M.
    , ed. 2017. The Oxford Handbook of Adaptation Studies. New York: Oxford University Press.
  9. ↵
    1. Lewis, Lisa A.
    , ed. 1992. The Adoring Audience: Fan Culture and Popular Media. London: Routledge.
  10. ↵
    1. Lund, Hans
    . 1982. Texten som tavla: Studier i litterär bildtransformation. Lund: Liber Förlag.
  11. ↵
    1. Lund, Hans
    . 2002. Intermedialitet: Ord, bild och ton i samspel. Lund: Studentlitteratur.
  12. ↵
    1. Marcus, Greil
    . 1975. Mystery Train: Images of America in Rock ’n’ Roll Music, 1st ed. New York: E. P. Dutton.
  13. ↵
    1. Nilsen, Gro Jørstad
    , 2001. “Den rette feelingen.” Bergens Tidende, May 28. https://www.bt.no/article/bt-0pXqA.html.
  14. ↵
    1. Ross, Karen, and
    2. Virginia Nightingale
    . 2003. Media and Audiences: New Perspectives. Maidenhead, UK: Open University Press.
  15. ↵
    1. Scher, Steven Paul
    . 1984. Literatur und Musik: Ein Handbuch zur Theorie und Praxis eines komparatistischen Grenzgebietes. Berlin: E. Schmidt.
  16. ↵
    1. Shuker, Roy
    . 2008. Understanding Popular Music Culture. London: Routledge.
  17. ↵
    1. Tobler, John
    . 1992. NME Rock ’n’ Roll Years, 1st ed. London: Reed International Books.
    1. Wolf, Werner
    , 1999. The Musicalization of Fiction: A Study in the Theory and History of Intermediality. Vol. 35. Internationale Forschungen Zur Allgemeinen und Vergleichenden Literaturwissenschaft. Amsterdam: Rodopi.
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Scandinavian Studies: 92 (1)
Scandinavian Studies
Vol. 92, Issue 1
20 Jun 2020
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Songwriting: From Pop Music to Short Stories in Frode Grytten’s Popsongar
John Brumo
Scandinavian Studies Jun 2020, 92 (1) 80-103; DOI: 10.3368/sca.92.1.0080

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Songwriting: From Pop Music to Short Stories in Frode Grytten’s Popsongar
John Brumo
Scandinavian Studies Jun 2020, 92 (1) 80-103; DOI: 10.3368/sca.92.1.0080
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Jump to section

  • Article
    • The Intermedial Relations of Pop Music and Literature
    • Frode Grytten and Popsongar
    • Pop Music and Thematic Transition
    • Pop Music and Identity
    • Pop Music as “Mood”
    • Conclusion
    • Footnotes
    • Works Cited
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