Table of Contents

Articles

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  Introduction

  Claus Elholm Andersen and Dean Krouk

  Scandinavian Studies, September 2020, 92 (3) 269-273; DOI: https://doi.org/10.3368/sca.92.3.0269

  Claus Elholm Andersen

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  Dean Krouk

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  Confession, Shame, and Ethics in Coetzee and Knausgård

  Peter Sjølyst-Jackson

  Scandinavian Studies, September 2020, 92 (3) 274-295; DOI: https://doi.org/10.3368/sca.92.3.0274

  Peter Sjølyst-Jackson

  Independent Researcher

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  Guys and Dolls: Gender, Scale, and the Book in Elena Ferrante’s Neapolitan Novels and Karl Ove Knausgård’s Min kamp

  Inge van de Ven

  Scandinavian Studies, September 2020, 92 (3) 296-324; DOI: https://doi.org/10.3368/sca.92.3.0296

  Inge van de Ven

  Tilburg University

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  Growing Up: Knausgård on Proust, Boyishness, and (Straight) Time

  Olivia Noble Gunn

  Scandinavian Studies, September 2020, 92 (3) 325-347; DOI: https://doi.org/10.3368/sca.92.3.0325

  Olivia Noble Gunn

  University of Washington

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  The Aesthetics of Epiphany in Karl Ove Knausgård’s Min kamp

  Gísli Magnússon

  Scandinavian Studies, September 2020, 92 (3) 348-368; DOI: https://doi.org/10.3368/sca.92.3.0348

  Gísli Magnússon

  University of Iceland

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  “A love relationship is not a place for refuge, it is the place to be”: The Theme of Love in Karl Ove Knausgård’s Min kamp

  Christian Refsum

  Scandinavian Studies, September 2020, 92 (3) 369-389; DOI: https://doi.org/10.3368/sca.92.3.0369

  Christian Refsum

  University of Oslo

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  The Fear of “das Volk”: Karl Ove Knausgård’s Reactions to Terrorism

  Ingvild Folkvord

  Scandinavian Studies, September 2020, 92 (3) 390-410; DOI: https://doi.org/10.3368/sca.92.3.0390

  Ingvild Folkvord

  Norwegian University of Science and Technology

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