Research ArticleArticles
Audiences and Ideological Work in the “Dream Factory”: Halldór Laxness and Cinematic Modernity
Björn Þór Vilhjálmsson
Scandinavian Studies, December 2021, 93 (4) 443-475; DOI: https://doi.org/10.3368/sca.93.4.0443
Björn Þór Vilhjálmsson
University of Iceland

Works Cited
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- Abel, Richard
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- Árni Sigurjónsson
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- Ástráður Eysteinsson
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- Benedikt Hjartarson
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- Bergljót S. Kristjánsdóttir
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- Bergljót S. Kristjánsdóttir
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- Björn Þór Vilhjálmsson
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- Björn Þór Vilhjálmsson
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- Bordwell, David
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- Bordwell, David
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- Brantlinger, Patrick
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- Charney, Leo, and
- Vanessa R. Schwartz
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- Currie, Barton W.
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- Delluc, Louis
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- Eggert Þór Bernharðsson
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- Einar Laxness and
- Halldór Guðmundsson
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- Einar Olgeirsson
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- Epstein, Jean
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- Hallberg, Peter
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- Hallberg, Peter
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- Halldór Guðmundsson
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- Halldór Guðmundsson
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- Halldór Guðmundsson
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- Halldór Laxness
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- Halldór Laxness
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- Halldór Laxness
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- Halldór Laxness
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- Halldór Laxness
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- Halldór Laxness
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- Halldór Laxness
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- Halldór Laxness
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- Hammond, Paul
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- Hauser, Arnold
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- Helga Kress
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- Horkheimer, Max, and
- Theodor Adorno
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- Jóhann Páll Árnason
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- Lopate, Phillip
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- Lounsbury, Myron
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- Lund, Arne
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- Lund, Arne
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- McGinn, Colin
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- Nedelyaeva-Steponavichiene, Svetlana
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- Pearson, Roberta
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- Pétur Gunnarsson
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- Rebentisch, Juliane, and
- Felix Trautmann
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- Short, Robert
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- Sigurður Hróarsson
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- Sklar, Robert
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- Sklar, Robert
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- Smith, Murray
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- Spurr, David
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- Sveinn Sigurðsson
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- Thissen, Judith
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- Thompson, Kristin
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- Vertov, Dziga
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- Wollstsein, Hans J.
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- Þorsteinn Þorsteinsson
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- Þröstur Helgason
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- Örn Ólafsson
In this issue
Scandinavian Studies
Vol. 93, Issue 4
21 Dec 2021
Audiences and Ideological Work in the “Dream Factory”: Halldór Laxness and Cinematic Modernity
Björn Þór Vilhjálmsson
Scandinavian Studies Dec 2021, 93 (4) 443-475; DOI: 10.3368/sca.93.4.0443
Jump to section
- Article
- I. “There is one thing, however, that I prefer to the old and that is the new”1
- II. “The Most Sublime Photoplay in the History of the World”: American Films at Home and Abroad
- III. The Typist, the God-Fearing Pickpocket, and the Petty Bourgeoisie, or, Cultural Production as Oppression
- IV. From the Silver Screen to the Silver Moon, and Beyond
- Footnotes
- Works Cited
- Info & Metrics
- References
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