Album Cover Elegies

Works Cited

1. ↵
   1. Agius, Christine

   . 2013. “Performing Identity: The Danish Cartoon Crisis and Discourses of Identity and Security.” Security Dialogue 44 (3): 241–58. doi:10.1177/0967010613485871.

   OpenUrlCrossRef
2. ↵
   1. Alhassan, Amin

   . 2008. “The Twelve Cartoons. A Discursive Inquiry.” In Transnational Media Events: The Muhammad Cartoons and the Imagined Clash of Civilizations, edited by Elisabeth Eide, Risto Kunelis, and Angela Phillips, 39–55. Gothenburg: Nordicom.
3. ↵
   1. Asad, Talal,
   2. Wendy Brown,
   3. Judith Butler, and
   4. Saba Mahmood

   . 2009. Is Critique Secular?: Blasphemy, Injury, and Free Speech. Berkeley: University of California Press.
4. ↵
   1. Boe, Carolina Sanchez

   . 2017. “From Jyllands-Posten to Charlie Hebdo: Domesticating the Mohammad Cartoons.” In After Charlie Hebdo: Terror, Racism, and Free Speech, edited by Gavan Tiley, Des Freedman, Gholam Khiabany, and Aurélien Mondon, 165–79. London: Zed Books.
5. ↵
   1. Carpenter, Alexander

   . 2017. “‘Die Young’: On Pop Music, Social Violence, Self-Censorship, and Apology Rituals.” Popular Music and Society 40 (3): 261–73. doi:10.1080/03007766.2017.1307644.

   OpenUrl
6. ↵
   1. Christensen, Mikkel Fyhn

   . 2006a. “Burka eller ej.” Information, June 17: 16–7.
7. ↵
   1. Christensen, Mikkel Fyhn

   . 2006b. “Vind i burka på Bryggen.” Information, July 17: 16–7.
8. ↵
   1. Christensen, Ralf

   . 2006. “Hvid fosfor, sort blæk” [CD Liner notes]. Skandinaviske Klagesange, by Jomi Massage. Morningside Records MORECD-015.
9. ↵
   Clement Direkte. 2006. Signe Høirup Wille-Jørgensen and Pia Kjærsgaard, interviewed by Clement Kjærsgård [Television], Danish Broadcasting Corporation, May 19.
10. ↵
    1. Cloonan, Martin

    . 2003. “Call That Censorship? Problems of Definition.” In Policing Pop, edited by Martin Cloonan and Reebee Garofalo, 13–29. Philadelphia, PA: Temple University Press.
11. ↵
    1. Cloonan, Martin

    . 2004. “What Is Music Censorship? Towards a Better Understanding of the Term.” In Shoot the Singer! Music Censorship Today, edited by Marie Korpe, 3–5. London: Zed Books.
12. ↵
    1. Cloonan, Martin, and
    2. Reebee Garofalo

    . 2003. Introduction to Policing Pop, edited by Martin Cloonan and Reebee Garofalo, 1–9. Philadelphia, PA: Temple University Press.
13. ↵
    Dagens gæst. 2005. Signe Høirup Wille-Jørgensen, interviewed by Jakob Heick [Television], Danish Broadcasting Corporation, November 16.
14. ↵
    1. Degn, Inge, and
    2. Kirsten Molly Søholm

    , eds. 2011. Tørklædet som tegn: Tilsløring og demokrati i en globaliseret verden. Århus: Aarhus University Press.
15. ↵
    1. Eide, Elisabeth,
    2. Risto Kunelis, and
    3. Angela Phillips

    . 2008a. “Contrapuntal Readings. Transnational Media Research and the Cartoon Controvery as a Global News Event.” In Transnational Media Events: The Muhammad Cartoons and the Imagined Clash of Civilizations, edited by Elisabeth Eide, Risto Kunelis, and Angela Phillips, 11–27. Gorthenburg: Nordicom.
16. ↵
    1. Eide, Elisabeth,
    2. Risto Kunelis, and
    3. Angela Phillips

    , eds. 2008b. Transnational Media Events: The Muhammad Cartoons and the Imagined Clash of Civilizations. Gorthenburg: Nordicom.
17. ↵
    1. Essed, Philomena

    . 2013. “Entitlement Racism: License to Humiliate.” In Recycling Hatred: Racism(s) in Europe Today: A Dialogue between Academics, Equality Experts and Civil Society Activists, edited by European Network Against Racism, 62–76. Brussels: European Network Against Racism. http://enarireland.org/wp-content/uploads/2013/07/Recycling-Hatred-Racism-s-in-Europe-Today.pdf.
18. ↵
    1. Grølsted, Esther

    . 2008. “Kvindedragtens hovedtøj på Læsø.” Dragtjournalen 3 (2): 120.

    OpenUrl
19. ↵
    1. Grølsted, Esther, and
    2. Camilla Luise Dahl

    . 2008. “Om hviv og hvivklæde.” Dragtjournalen 3 (2): 121–39.

    OpenUrl
20. ↵
    1. Hansen, John, and
    2. Kim Hundevadt

    . 2006. Provoen og Profeten: Muhammedkrisen bag kulisserne. Copenhagen: Jyllands-Postens Forlag.
21. ↵
    1. Hervik, Peter

    . 2012. The Danish Muhammad Cartoon Conflict. Current Themes in IMER Research 13. Malmö: Malmö University.
22. ↵
    1. Hervik, Peter

    . 2018. “Ten Years after the Danish Muhammad Cartoon News Stories: Terror and Radicalization as Predictable Media Events.” Television & New Media 19 (2): 146–54. doi:10.177/15274641707582.

    OpenUrl
23. 1. Hervik, Peter,
    2. Elisabeth Eide, and
    3. Risto Kunelis

    . 2008. “A Long and Messy Event.” In Transnational Media Events: The Muhammad Cartoons and the Imagined Clash of Civilizations, edited by Elisabeth Eide, Risto Kunelis, and Angela Phillips, 29–38. Gothenburg: Nordicom.
24. ↵
    1. Holleufer, Torben

    . 2006. “Åndsfæller i tilfældigt møde.” JazzSpecial 9: 52–5.

    OpenUrl
25. ↵
    1. Houmøller Thomsen, Anders

    . 2006. “Hård massage.” Jyllands-Posten, section Guide, February 1: 9.
26. ↵
    1. Huntington, Samuel

    . 1996. The Clash of Civilizations and the Remaking of World Order. New York: Simon & Schuster.
27. ↵
    1. Jerichow, Anders, and
    2. Mille Rode

    . 2006. Profet-affæren: Et PEN dossier om 12 Muhammedtegninger—og hvad der siden skete. Dokumenter of argumenter. Copenhagen: Dansk PEN.
28. ↵
    1. Jomi Massage

    . 2006. Jomi Massage møder DR Big Band & Lars Møller, sammen fremfører de en række Skandinaviske Klagesange [CD and liner notes]. Morningside Records MORECD-015.
29. ↵
    1. Juste, Carsten

    . 2005. “Truslen fra mørket.” Jyllands-Posten, September 30: 10.
30. ↵
    1. Jørndrup, Hanne

    . 2016. “News Framing in a Time of Terror: A Study of the Media Coverage of the Copenhagen Shooting.” Nordicom Review 37: 85–99. doi:10.1515/nor-2016-0025.

    OpenUrl
31. ↵
    1. Kirkegaard, Annemette, and
    2. Jonas Otterbeck

    . 2017. “Introduction: Researching Popular Music Censorship.” Popular Music and Society 40 (3): 257–60. doi:10.1080/03007766.2017.1307656.

    OpenUrl
32. ↵
    1. Klausen, Jytte

    . 2009. The Cartoons That Shook the World. New Haven, CT: Yale University Press.
33. ↵
    1. Korpe, Marie,
    2. Ole Reitov, and
    3. Martin Cloonan

    . 2006. “Music Censorship from Plato to the Present.” In Music and Manipulation: On the Social Uses and the Social Control of Music, edited by Steven Brown and Ulrik Vogelsten, 239–63. New York: Berghahn.
34. ↵
    1. Kragelund, Minna, and
    2. Beth Beyerholm

    , illus. 1978. Folkedragter: Landboliv i fællesskabets tid. Copenhagen: Lademann.
35. ↵
    1. Kuipers, Giselinde

    . 2011. “The Politics of Humour in the Public Sphere: Cartoons, Power and Modernity in the First Transnational Humour Scandal.” European Journal of Cultural Studies 14 (1): 63–80. doi:10.1177%2F1367549410370072.

    OpenUrlCrossRefWeb of Science
36. ↵
    Kulturnyt. 2006. Signe Høirup Wille-Jørgensen, interviewed by Helle Solvang [Radio], February 2, Danish Broadcasting Corporation.
37. ↵
    1. Lang, Signe

    . 2006. “Jomi Massage møder DR Big Band og Lars Møller.” Lydhør, July 6. http://www.lydhoer.dk/index.php?menu=Albums&item=Alle&albumid=193 (accessed October 15, 2012).
38. ↵
    1. Larsen, Rune Engelbreth, and
    2. Tøger Seidenfaden

    . 2006. Karikaturkrisen: En undersøgelse af baggrund og ansvar. Copenhagen: Gyldendal.
39. ↵
    1. Locke, Ralph P.

    2009. Musical Exoticism: Images and Reflections. Cambridge, UK: Cambridge University Press.
40. ↵
    1. Lynggaard, Klaus

    . 2006. “Med en fod i kolonihaven og den anden i den globale arena.” Information, July 25: 12–3.
41. ↵
    1. Lægaard, Sune

    . 2007. “The Cartoon Controversy: Offence, Identity, Oppression?” Political Studies 55: 481–98. doi:10.1111/j.1467-9248.2007.00685.x.

    OpenUrlCrossRef
42. ↵
    1. Marstal, Henrik

    . 2006. “Fortumlet trofast længsel” [CD Liner notes]. Skandinaviske Klagesange, by Jomi Massage. Morningside Records MORECD-015.
43. ↵
    1. Müller, Marion G.,
    2. Esra Özcan, and
    3. Ognyan Seizov

    . 2009. “Dangerous Depictions: A Visual Case Study of Contemporary Cartoon Controversies.” Popular Communication 7 (1): 28–39. doi:10.1080/15405700802598361.

    OpenUrlCrossRef
44. ↵
    1. Nielsen, Steen Kaargaard, and
    2. Mads Krogh

    . 2017. “Spillover Censorship: The Globalization of US Music Self-Censorship.” Popular Music and Society 40 (3): 345–62. doi:10.1080/03007766.2017.1300760.

    OpenUrl
45. ↵
    1. Pedersen, Lars Ahn

    . 2008. “En burka til rockmuseet.” Dagbladet Roskilde, July 7: 2.
46. ↵
    1. Reynolds, Matthew

    . 2007. “Semi-Censorship in Dryden and Browning.” In Modes of Censorship and Translation: National Contexts and Diverse Media, edited by Francesca Billiani, 187–204. New York: Routledge.
47. ↵
    1. Rose, Flemming

    . 2005. “Ytringsfrihed: Muhammeds ansigt.” Jyllands-Posten, section Kultur, September 30: 3.
48. ↵
    1. Rytter, Mikkel, and
    2. Marianne Holm Pedersen

    . 2014. “A Decade of Suspicion: Islam and Muslims in Denmark after 9/11.” Ethnic and Racial Studies 37 (13): 2303–21. doi:10.1080/01419870.2013.821148.

    OpenUrlCrossRef
49. ↵
    1. Scherzinger, Martin

    . 2008. “Double Voices of Censorship After 9/11.” In Music in the Post-9/11 World, edited by Jonathan Ritter and J. Martin Daughtry, 91–121. New York: Routledge.
50. ↵
    1. Schütt-Jensen, Kasper

    . 2005. “Rytmisk music.” Jyllands-Posten, November 21: 21.
51. ↵
    1. Schütt-Jensen, Kasper

    . 2006. “Pladeudgivelse udskydes efter Muhammedsagen.” Aarhusportalen, February 2. http://www.aarhusportalen.dk/vis_artikel.asp?ArticleId=23429 (accessed October 15, 2012).
52. ↵
    1. Siim, Birte

    . 2011. “Det muslimske tørklæde som udfordring for demokratisk ligestilling.” In Tørklædet som tegn: Tilsløring og demokrati i en globaliseret verden, edited by Inge Degn and Kirsten Molly Søholm, 99–121. Århus: Aarhus University Press.
53. ↵
    1. Skotte, Kim

    . 2006. “Musikalsk ytringsfrihed.” Politiken, July 20: [section 2] 3.
54. ↵
    1. Sniderman, Paul M.,
    2. Michael Bang Petersen,
    3. Rune Slothuus, and
    4. Rune Stubager

    . 2014. Paradoxes of Liberal Democracy: Islam, Western Europe, and the Danish Cartoon Crisis. Princeton, NJ: Princeton University Press.
55. ↵
    1. Solomon, Thomas

    . 2015. “Self-Censorship as Critique: The Case of Turkish Rapper Sagopa Kajmer.” In “Researching Music Censorship.” Special issue, Danish Musicology Online: 37–53. http://www.danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2015/dmo_saernummer_2015_musikcensur_02.pdf.
56. ↵
    1. Sutherland, Luke

    . 2006. “Everything’s Surrendered” [CD Liner notes]. Skandinaviske Klagesange, by Jomi Massage. Morningside Records MORECD-015.
57. ↵
    1. Svidt, Ole Rosenstand

    . 2006. “Muhammed-ballade bremser Jomi Massage-album.” Gaffa, January 2. http://gaffa.dk/nyhed/6813 (accessed October 15, 2012).
58. ↵
    1. Sørensen, Dorthe Hygum

    . 2006. “Ytring: Billeder af dannebrogsfarvet burka trækkes tilbage.” Politiken, section 2, February 2: 3.
59. ↵
    1. Veninga, Jennifer Elisa

    . 2014. Secularism, Theology, and Islam: The Danish Social Imaginary and the Cartoon Crisis of 2005–2006. London: Bloomsbury.
60. ↵
    1. Veninga, Jennifer Elisa

    . 2016. “Echoes of the Danish Cartoon Crisis 10 Years Later: Identity, Injury, and Intelligibility from Copenhagen to Paris to Texas.” Islam and Christian-Muslism Relations 27 (1): 25–34. doi:10.1080/09596410.2015.1114245.

    OpenUrl
61. ↵
    1. Wille-Jørensen, Signe Høirup

    , comp., and Lars Møller, arr. 2005a. “Danmarkssangen.” Archive number M 10159. Danish Broadcasting Corporation, Danmarks Radio Nodearkivet. Copenhagen.
62. ↵
    1. Wille-Jørensen, Signe Høirup

    , comp., and Lars Møller, arr. 2005b. “Det ukendte.” Archive number M 10156. Danish Broadcasting Corporation, Danmarks Radio Nodearkivet. Copenhagen.
63. ↵
    1. Yılmaz, Ferruh

    . 2011. “The Politics of the Danish Cartoon Affair: Hegemonic Intervention by the Extreme Right.” Communication Studies 62 (1): 5–22. doi:10.1080/10510974.2011.533340.

    OpenUrlCrossRef